Dagdu Maruti Pawar

Daya Pawar or Dagdu Maruti Pawar (1935[1]–December 20, 1996[2]) was born to a Mahar Dalit family in Dhamangaon (Taluka: Akole, District: Ahmednagar, Maharashtra, India), was a Marathi author and poet known for his contributions to Dalit literature that dealt with the atrocities experienced by the dalits or untouchables under the Indian caste system.[3]

Contents

Works

Baluta

He gained fame for his autobiographical 1978 novel Baluta (बलुत) written as a story by Dagdu Pawar being told to the more literate Daya Pawar, with both being personas of the author.[4] The novel recounts the "experiences of an untouchable struggling for a peaceful existence, mentally tormented but incapable of retaliation in word and deed."[5] The book shook Marathi society and was a critical success in Marathi and in its Hindi translation but received considerable anti-Dalit blowback for its frank exposition.[5][6]

Baluta created ripples in the literature circles and earned him many awards at all levels, including one from the Ford Foundation. It got translated into several languages. The strengths of the book are the simple, straightforward and to-the-point portrayal and a transparent realistic illustration of the ethos around him. This book created a new genre in Marathi literature. Many autobiographical books talking about harsh experiences hard realities were written after Baluta. What is special about Daya Pawar is his use of language which is not merely that of revolt but of a deeply introspecting analytical intellectual.

The great litterateur P. L. Deshpande has this to say about Balut: "On reading this book the cataract of blind traditions stuck to out eyes that makes us unaware of facts will melt away in the tears that fill our eyes on seeing this horrifying reality will emerge new rays of hope. Reader will then seek to be more humane henceforth in life, What else is the intent of all good literature? Creating new kinship among mankind and free the society from artificial and vexing bonds, right? The same can be said for all Pawar’s literature."

Poetry and other work

Although he earned fame through his autobiographical prose in Baluta, poetry was his forte. He gave expression to the oppression of the Dalits through his verse.

"Shilekhali haat hota, tari nahi phodla hambarda,
 Kitr janmachi kaid, kuni nirmila ha kondvada"
 (The hand was crushed under a stone, yet no outcry was heard
How many generations of imprisonment? Who created this prison?)

With effective verses like the above from his first collections of poems Kondvada, he voiced the atrocities and oppression faced by generations of Dalit. Published in 1974, Kondvada earned him a literary award from the State.

Among his other famous works are Chavdi and Dalit Jaanivaa, two of his compilation of articles, and Vittal, a collection of short stories. He wrote the screenplay for Jabbar Patel’s film Dr. Ambedkar. He was appointed with the National Film Development Corporation. Pawar won the prestigious Padmashri award the Government of India.

Pawar’s writing’s reflects his active participation in the social, cultural and literary movements on the national level, his avid following of foreign literature, analytical and contemplative thinking, unwavering stance, deep understanding and empathy towards social happenings and issues. His work was highly effective. He received some amount of recognition by way of awards. But due to oppressive circumstances, he suffered mentally and physically in his personal life. It is this perennial suffering that comes through sharply in his writings. One of his poems gives a feel for his suffering:

"Dukhaana gadgadtaana he zhaad me paahilela
 Tashi yaachi mule kholvar boudhivrukshaasaarkhi
Boudhivrukshaala phula tari aali
He Zhaad saaryaa rutut kolpun gelela
Dhamani dhamanit phutu paahnaaryaa yaatanaa
Mahaarogyaachyaa botsanssarkhi zadleli paane
He khod kasla? Phandiphandila jakhadleli kubdi
Maran yet naahi mhanun marankalaa sosnaara
Dukhaana gadgadtaanaa he zhaad me paahila"

(I have seen this tree tremble in pain
Albeit the tree has deep roots like the Bodhi tree
The Bodhi tree at least bore flowers
This tree though is withered in all seasons
Pain trying to burst through its very pore
Leaves withered like those of a leaper’s fingers
What is this disease? Crutches hung on every branch
Death does not befall and so bearing the pains of death
I have seen this tree tremble in pain)

Chronology

References

  1. ^ Granger, Edith; Kale, Tessa (2002). The Columbia Granger's index to poetry in anthologies. New York: Columbia University Press. p. 1741. ISBN 0-231-12448-1. 
  2. ^ Pawar, Daya (2006) (in Hindi). Achhut. Rajkamal Prakashan Pvt Ltd. ISBN 8171196446. 
  3. ^ Anna Kurian (2006). Texts and Their Worlds I: Literatures of India - An Introduction. Lincoln, Neb: Foundation Books. ISBN 81-7596-300-X. 
  4. ^ Nelson, Emmanuel S.; Natarajan, Nalini (1996). Handbook of twentieth-century literatures of India. Westport, Conn: Greenwood Press. p. 373. ISBN 0-313-28778-3. 
  5. ^ a b S.S.R. (1987). "Baluten". In (various). Encyclopaedia of Indian literature. vol. 1. Sahitya Akademi. p. 357. ISBN 9788126018031. 
  6. ^ Guru, Gopal (2004). "The language of dalitbahujan political discourse". In Mohanty, Manoranjan. Class, caste, gender. Thousand Oaks: Sage Publications. p. 266. ISBN 0-7619-9643-5. 

External links